
Memphis Minnie was among the greatest blues artist of all time.
________ Mamie Smith, one of the several unrelated Smith women, had the distinction of recording "Crazy Blues" in 1920, generally considered to be the very first blues recording. She also had a successful career in films.
________ Bessie Smith's records were invariably made in New York, where optimal studio conditions prevailed and where the broad resonance of her magnificent voice could best be captured. She rarely used more than two or three musicians to back her; often she was satisfied with simple piano accompaniments, which allowed minimum distraction from her singing. Still her best efforts usually involved larger groups, mostly drawn from pianist Fletcher Henderson's orchestra.
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"Ma" Rainey, (Gertrude Pridgett) one of the most important and influential of all female blues artists.
Ida Cox - Although she was not in the same league as Ma Rainey or Bessie Smith, Ida Cox was an extremely good singer and writer who recorded a number of outstanding items. Sippie Wallace - A member of the famous Thomas family of Texas, Sippie Wallace enjoyed a good deal of success her second time around, during the blues revival of the 1960s.
Hociel Thomas, another member of the famed Thomas family, was a boogie-woogie pianist who carried on the tradition of her short-lived uncle, Hersal Thomas.
________ Addie (Sweet Pease) Spivey, who also recorded under the name of Hannah Mae, was generally found in the company of jazz players who had a bent for the blues.
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________ Victoria Spivey's recording career started at around age sixteen, with her very first effort, "Black Snake Blues," quickly becoming a blues staple. She made numerous recordings and was accompanied by such musical giants as Lonnie Johnson, King Oliver, Louis Armstrong, and Henry "Red" Allen. She enjoyed renewed fame during the blues revival of the 1960s.
________ Lucille Bogan, whose recording career spanned 1923 to 1935, was one of the great blueswomen of all time. A provocative singer and extraordinarily talented writer, she generally teamed with Walter Roland on piano. Bogan moved to Los Angeles in the mid-1930s and was killed by an automobile during her first week in that city. Walter Roland was never heard from again after 1935.
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Alberta Hunter was more a vaudevillian than a blues singer. She enjoyed great success during the 1930s in Europe, then dropped out of sight for many years until she was rediscovered in her eighties, becoming the darling of New York nightclubs.
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"Wee Bea Booze" (Muriel Nicholls) and Sister Rosetta Tharpe both recorded for Decca with substantial success during the late 1930s and 1940s. Tharpe was an extraordinary guitarist.
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